Production Services Korea

The production team consists of Korean and international DPs who operate ARRI and RED and Sony cameras while bringing their expertise from K-drama productions and feature films and worldwide commercial projects.

The system operates with two-camera interview recording and it handles 12-camera live broadcasts which include camera switching and genlock functionality and synchronized coverage for Korean broadcast requirements.

The camera operators used MōVI and DJI Ronin and Steadicam to achieve smooth tracking movements during their filming of Korean urban areas and traditional buildings.

The drone pilots who hold Korean licenses can perform aerial photography operations throughout urban areas and coastal regions and protected environmental zones after they obtain necessary authorization from regulatory bodies.

The facility provides certified dive teams who operate in Jeju waters and Busan coastal areas and pool facilities with RED and ARRI underwater housing systems.

The motion-controlled systems recorded extensive footage which showed Seoul cityscape changes and construction development and Korean locations from morning to evening.

The production needs Korean gaffers who specialize in day-for-night and period piece and modern interior lighting work and they can work in teams of 2 to 20 members based on production requirements.

The studio stages in Korean locations feature Dolly and jib and track systems which include key grips for their operations.

The production team uses ARRI SkyPanels and Astera tubes and Aputure fixtures with their crew to set up quickly while achieving RGB color management for Korean film and television productions.

The solution includes silent generators which operate in remote Korean areas and lithium battery systems that serve run-and-gun documentary production when noise becomes a problem.

Sound mixers working multi-track recorders with timecode sync and backup recording for scripted and documentary content production in Korea.

The boom operators who have experience will predict blocking situations while they handle cables to obtain clear dialogue recordings in the difficult Korean acoustic settings.

The production team in Seoul uses Sennheiser Lectrosonics and Wisycom systems which they coordinate by frequency for their multi-talent shoots.'s RF-heavy urban environment.

The sound department operates at maximum capacity because it includes a mixer and boom and utility positions which shift based on the level of dramatic intensity in scenes and the high energy of reality shows.

The Seoul studios production team conducted ADR work while Foley artists and dialogue editors and 5.1/Dolby Atmos mixers completed audio post-production for Korean television broadcast and worldwide theatrical release.

ARRI Alexa, RED V-RAPTOR, Sony VENICE, and Blackmagic packages from Seoul rental houses with same-day prep service available.

The production team employed Clear-Com and Motorola systems with encrypted digital comms to achieve departmental coordination during the entire Korean production period which spanned many months.

HMI, tungsten, LED, and practical packages from Seoul and Busan rental houses with truck delivery to set locations.

The installation of Distro box systems along with cable installation and tie-in work for studio stages and location requirements will be performed by skilled Korean electricians.

The DIT carts of the production team offer real-time color preview and LUT control functions and dual backup systems which maintain continuous protection for all recorded footage during Korean production workdays.

The system includes wireless HD transmission and director and client stations and playback systems and reference monitors which serve Korean set operations.

Korean line producers handle three main responsibilities which include managing budgets based on the won currency and enforcing local labor rules and overseeing daily production activities during international filmings.

The first assistant director who speaks two languages runs floor operations while the second assistant director takes care of background coordination and international co-production logistics and call sheet management.

The office-based coordinators perform multiple tasks which include booking travel and arranging accommodations and handling vendor invoices and processing production documents in both Korean and English.

Bilingual PAs who know Seoul streets, prep locations, wrangle talent, and manage craft services for international crews.

On-set managers liaising with Korean property owners, neighbors, and local authorities to resolve issues as they arise during filming.

The casting directors based in Seoul maintain relationships with Korean talent agencies and regional actors and specialized extras pools which they use to fulfill different production requirements.

The team ensures continuity through their work with wardrobe tracking and prop management and screen direction observation and they create detailed notes which follow established formats for both Korean and international edit bays.

HMU teams which work on Korean sets use trailers and quick-change stations to create beauty and aging and wound and period looks.

The Inspire and Matrice and heavy-lift systems operated by licensed Korean drone pilots receive authorization to fly through Seoul urban areas and coastal regions and protected natural sites.

The Phantom Flex and RED cameras operate at high frame rates for product reveals and sports content and automotive shots which need slow-motion detail capture.

The system operates for ISO recording and switching to broadcast Korean concerts and talk shows and multi-angle documentaries through its coordinated operational system.

The camera system uses motion control to record architectural moments which show buildings and their surroundings during different times of day and night in Korean cities and countryside.

The production team used Jeju Island dive teams and pool rigs and underwater housings to film swimming sequences and product shoots which needed aquatic settings.

The company uses 360-degree camera arrays with spatial audio to create VR experiences and virtual tours and immersive branded content which it markets to both Korean and international customers.