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War Memorial Korea - filming location in South Korea

SCENE 01 / LED LIGHTING SYSTEMS

LED Lighting Systems

Professional LED lighting packages for film, TV, and commercial production across Korea.

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LED lighting has changed film work for good. The fixtures use little power, give off low heat, and let you tune the color. In South Korea, LED gear is standard at CJ ENM Studios and KOFIC facilities. It powers the high-volume K-drama and feature film work that has made Korean cinema a global force.

We source LED lighting systems from the top global and Korean makers through Seoul-based rental partners. Each kit matches your gaffer's specs with ready stock. Our team handles fixture choice, control systems, and accessories so the LED package arrives complete.

Capabilities

LED Lighting Solutions

From compact interview kits to large-scale studio installations, we provide professional LED lighting equipment with the color accuracy and control modern productions demand.

01

Cinema LEDs

  • ARRI SkyPanel series
  • Aputure 600d/1200d
  • Litepanels Gemini
  • ARRI Orbiter systems
  • Large panel arrays

Cinematic Power

02

RGB & Effects

  • Full RGB control
  • Astera tubes and bulbs
  • Quasar Science tubes
  • Pixel-mapped fixtures
  • App-controlled systems

Creative Color

03

Portable LED

  • Battery-powered fixtures
  • Compact interview kits
  • Run-and-gun packages
  • Travel-friendly systems
  • Quick-deploy setups

Mobile Solutions

04

Large Scale

  • Studio installations
  • Cyclorama lighting
  • Greenscreen systems
  • Event and stage
  • Architectural integration

Major Productions

On Location

Cinema-grade LED inventory across the Korean rental network

LED is now the default lighting layer on Korean drama and feature sets. The stock at Seoul-based rental houses reflects that. We source our LED packages through NAC Image, KW Studio, and Hello Pictures Korea. Each kit is built around the fixtures Korean gaffers ask for by name. The ARRI SkyPanel S60 and S30 fill soft-panel spots, the Aputure 600x and 1200d cover harder COB throws, and the Kino-Flo Diva-Lite handles classic soft-source interiors.

Astera Titan tubes and Quasar Science cover the practical and pixel-mapped work. That look has become a signature of Studio Dragon, JTBC, and Tving drama lighting. The ARRI Orbiter and Litepanels Gemini extend the cinema-LED range. They step in when a shoot needs the highest TLCI numbers and the cleanest skin tones for K-content sent to global streamers.

We treat control and power as part of the package. That means DMX over wired and wireless (LumenRadio CRMX), plus brand apps for Astera, Aputure, and ARRI fixtures. We name full lighting consoles for the harder jobs. These include pixel-mapped looks and large cyclorama and greenscreen rigs at Paju Studio Cube and Namyangju Studio Tricky.

Battery-powered LED kits run on V-mount and Gold-mount packs for location interviews and documentary coverage. They suit jobs where laying in mains power is not practical. Korean lighting technicians fluent in today's LED workflow are bookable with the gear. They handle DMX patching, wireless control commissioning, and color-management against the DP's monitor LUT. Our packages slot into K-content shoots eligible for cash rebates, on jobs that range across The DMC hub, Busan, and Jeju.

FAQ

Professional LED Equipment

What LED brands do you offer?

We supply gear from all the major pro LED brands. That includes ARRI (SkyPanel, Orbiter), Aputure (LS series, amaran), Astera (Titan Tube, Helios), Litepanels (Gemini, Astra), Quasar Science, and more. The brand we pick depends on what is free and what your shoot needs.

Can LED lights match tungsten or daylight?

Yes. Modern cinema LEDs render color with great accuracy and can dial to an exact tone, from 2700K tungsten to 6500K daylight and beyond. Top fixtures like the ARRI SkyPanel hit TLCI ratings of 95+ for broadcast and cinema work.

Are battery-powered LED options available?

Yes. Many LED fixtures run on V-mount or Gold-mount batteries, which makes them ideal for location work with no mains power on hand. We can spec battery-powered packages for run-and-gun documentary, ENG, and remote location shoots.

How do you control multiple LED fixtures?

LED control runs on DMX (wired and wireless), brand apps (ARRI, Aputure, Astera), and built-in console systems. We can set up a control rig that matches how complex your production is.

Do LED packages include stands and rigging?

Basic packages come with the right stands for each fixture. Overhead rigging, specialty mounts, and advanced grip kit can be added on request. We can spec a full package that includes all the support gear.

Can you provide LED technicians for operation?

Yes. We can supply LED and lighting technicians who know modern LED systems, DMX programming, and wireless control, for shoots that need tech support beyond standard gaffer services.

Productions in South Korea that need this often pair it with Gaffer & Lighting Services, Grip Services, and Portable Power Solutions for full coverage. Most projects also draw on 360° Video Production and Production Services.

On Set

Need LED Lighting?

Tell us about your production and we'll specify the right LED package for your needs.