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Itaewon Nightlife - filming location in South Korea

SCENE 01 / GRIP EQUIPMENT SERVICES

Grip Services

Professional grip crews and equipment for camera and lighting support across Korea.

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Grip equipment services provide the mechanical support hardware and rigging that shapes light and positions cameras on set. In South Korea, grip teams work at CJ ENM Studios and KOFIC Namyangju Studios in Seoul, using specialized rigging for both feature films and the high-output K-drama production schedules.

We source grip equipment and experienced grip crews who understand the fast pace of Korean production culture. With packages available from Seoul-based rental houses, our team coordinates equipment with your key grip's specifications, ensuring all hardware meets Korean production safety standards.

Capabilities

Grip Department Solutions

From dolly operation to complex rigging, we provide experienced grip professionals and complete equipment packages for productions of any scale.

01

Camera Support

  • Dolly and track systems
  • Crane and jib operation
  • Slider and motion control
  • Specialty camera mounts
  • Vehicle camera rigs

Camera Movement

02

Lighting Support

  • Stands and rigging
  • Diffusion and flag work
  • Overhead frames
  • Silk and bounce control
  • Negative fill setups

Light Control

03

Rigging

  • Truss and grid systems
  • Safety rigging
  • Overhead installations
  • Set piece mounting
  • Specialty rigging solutions

Structural Support

04

Specialty Grip

  • Car and vehicle mounts
  • Process trailer operation
  • Greenscreen support
  • Rain and wind effects
  • Mechanical effects support

Specialty Solutions

On Location

Korean key grips and camera-support gear, end to end

Here is how this works in practice. Grip work in Korea has its own working culture, shaped by the speed of K-drama production at The DMC hub and the camera-move ambition of CJ ENM features and Studio Dragon series. Our key grips lead teams that range from a tight three-person crew on commercials to full grip teams for feature shoots on stage at Paju Studio Cube and Namyangju Studio Tricky.

Here is the short of it. Gear packages are sourced through NAC Image, KW Studio and Hello Pictures Korea. Korean dolly tracks (Egripment Skater, Magnum, JL Fisher 10/11 where ready), Chapman cranes and jib arms for classic camera moves, Movi Pro and DJI Ronin 4D sleds for handheld stabilised work. Hot Gears and Black Arm process-trailer rigs for car-mount and vehicle photography across Korean highways and the Han River bridges.

Here is the breakdown. Beyond camera support, grip teams shape light. C-stands, butterflies, overhead frames, silks and bounce, neg-fill and flag work are built around the gaffer's lighting design. Typically against an ARRI SkyPanel, HMI and Aputure 600x package — with overhead truss and grid systems for stage installations and greenscreen rigs. Rigging crews hold the fitting KOSHA-aligned safety certifications for overhead work.

Tech scouts include load planning, anchor points and access logistics for Korean locations from Bukchon hanok streets to remote Jeju coastal shoots. Crews are fully insured under Korean production liability and routinely working on K-content cash rebate-eligible productions, setting up with electric, camera and SFX teams to keep both daylight and night-exterior shoots running on schedule.

FAQ

Our Grip Network

What does a grip department do?

The grip department supports both camera and lighting. They operate dollies, cranes, and camera support equipment for camera moves. They also handle all non-electrical lighting support: stands, rigging, diffusion frames, flags, and bounce/negative fill.

What positions are in a grip department?

Key Grip leads the department and works closely with the gaffer and DP. Best Boy Grip manages equipment and logistics. Dolly Grip operates camera dollies. Company Grips handle general grip work. Rigging Grips focus on pre-rigging and construction.

When do I need a grip vs. an electrician?

Electricians handle anything electrical—lights, power distribution, cables. Grips handle physical support and rigging—stands, camera movement equipment, flags, diffusion frames. The gaffer supervises electrics; the key grip supervises grip.

What equipment is included in grip packages?

Grip packages typically include C-stands, flags, nets, silks, bounce boards, apple boxes, sandbags, clamps, and basic rigging. Dollies, cranes, and specialty equipment are usually additional items quoted separately.

Do your grips have rigging certifications?

Yes. Our rigging grips hold appropriate certifications for overhead work, truss systems, and safety rigging. Complex rigging work is supervised by certified rigging supervisors meeting industry safety requirements.

Can you provide grip trucks with equipment?

We coordinate complete grip truck packages through our rental partners. These include the truck, driver, and comprehensive grip equipment. Crew is booked separately based on your production's needs.

Productions in South Korea that need this often pair it with Portable Power Solutions, Gaffer & Lighting Services, and LED Lighting Systems for full coverage. Most projects also draw on Lighting & Grip and Green Screen Filming.

On Set

Need a Grip Team?

Tell us about your production and we'll recommend the right key grip and crew for your needs.