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Gyeongju Historic Area - filming location in South Korea

SCENE 01 / PRE-PRODUCTION

Pre-Production Services

Our team handles production planning, creative development, and logistics worldwide. We keep your shoot on schedule, on budget, and true to your vision.

CreativeScriptwriting, storyboarding, and pitch-ready treatments.
LogisticsPermits, budgeting, scheduling, and crew coordination.
DeliveryProduction-ready plans with worldwide coverage.
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Planning with Precision

Comprehensive Pre-Production Services

From initial concept to production-ready plans, our team sets the foundation for successful films, TV, commercials, and digital content around the world.

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Creative Excellence

Our creative team has worked with KBS, MBC, SBS, Netflix Korea, and global co-production projects. Together we build scripts and storyboards that appeal to viewers in Korea and worldwide.

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Strategic Planning

Our line producers know Korean won budgets and KOFIC incentive programs inside out. They plan each shoot around national holidays, union rules, and the weather at every filming site.

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Local Expertise

Our fixers cover every major Korean filming region. That spans Seoul's Gangnam district, Busan's coastal areas, Jeju Island's natural landscapes, and the historic sites of Gyeongju.

Service Catalog

Our Pre-Production Services

Every phase is coveredβ€”creative development, casting, permits, budgeting, crew, logistics, and compliance.

Why Fixers in Korea

Why Choose Fixers in Korea for Pre-Production

Integrated creative, logistics, and compliance backed by seasoned producers and local fixers.

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Proven Expertise

Our team leads the field across every format and budget, trusted by global broadcasters.

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Fast Response

We turn around quotes, permits, and scheduling updates in 24 to 48 hours.

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Global Network

We have on-the-ground partners in 100+ countries and handle local permits for you.

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Full Service

We cover the whole job, from concept and casting to legal, logistics, and delivery.

On Location

End-to-end Korea pre-production run from a Seoul base

Seoul is a natural command centre for pre-production across South Korea. From here you can reach the historic streets of Bukchon, the modern districts of Gangnam, and the coastal city of Busan in a single working day. Our team runs full production planning and creative development for global clients. We set up local schedules, permits, and logistics so your shoot launches on time and on vision. Whether your project sits in the capital or spreads out to Jeju Island or the Gangwon highlands, we handle the groundwork.

Schedules built on real KOFIC approval windows, Seoul Film Commission lead times, and Korean crew availability β€” never optimistic guesses about any of them.

Our process starts with Concept Development, where we shape a clear creative brief with your team. From there we move into Scriptwriting and Storyboarding, which give every team a shared visual language. Our casting leads handle Casting and Talent sourcing across Seoul and Busan, drawing on verified local talent pools. We prepare Moodboards and Pitch Decks to broadcast-ready standards. Before a single camera rolls, our Script Consultation service checks that dialogue and narrative structure hold up for both Korean and global audiences.

Solid planning sits at the centre of every shoot we run. Our line producers build a master schedule that maps cast availability, location access, and crew calls onto a single stripboard. We work backward from your delivery date and read each step against real Korean lead times. That means KOFIC application windows, Seoul Film Commission approvals, and the studio booking calendars at Paju Studio Cube and Namyangju Studio Tricky. We flag the long-lead items first, so nothing critical slips to the final week of prep.

Permits and compliance run on their own track from day one. Our fixers file location paperwork with the Seoul Film Commission, the Busan Film Commission, and local district offices. Heritage sites such as Gyeongbokgung and Changdeokgung need Korea Heritage Service sign-off, and drone work needs MOLIT airspace clearance. Shoots near the DMZ require Ministry of National Defense coordination well ahead of the date. We also build KOSHA-aligned safety plans for stunts, special effects, and demanding terrain in the national parks.

Budgeting is where we turn ambition into a workable plan. We build line-item budgets in Korean Won, with the 10% VAT shown clearly and the KOFIC incentive modelled for qualifying foreign productions. Each cost sits against local labour rates and current exchange figures, so overseas clients see the true landed spend. We set fair payment terms with vendors and talent agencies, and stage deposits against milestones. When a target number is tight, we say so early and reshape the schedule, locations, or crew rather than hide the gap.

Crew sourcing and the documentation handoff close out our prep. We draw vetted DPs, gaffers, and department heads from our Korean network across Seoul, Busan, and the regional hubs. Our coordinators book talent through the major Seoul agencies and handle releases under PIPA and portrait-rights rules. At the end of prep, your production team receives a full package: call sheets in Korean and English, signed permits, location agreements, insurance certificates, and the shooting schedule. Everything is indexed so the line producer can hand it straight to each department head.

FAQs

Pre-Production FAQs

Clear answers on timelines, coverage, and how we tailor planning to your production.

What's included in pre-production services?

Pre-production covers a lot of ground. We break down the script and build the schedule, then scout locations in Seoul, Busan, Jeju, and every part of Korea. We cast actors through our agency connections and pull crew from our OK'd database. We also build the budget in Korean currency with KOFIC incentive calculations, and we submit permits to Seoul Film Commission and local district offices. Your team gets the full production-ready package when filming starts.

How long does pre-production take?

For feature films, locking locations, casting actors, and wrapping KOFIC forms takes at least 8 to 12 weeks. Commercials run two to four weeks when the locations are open and the actors have simple needs. Documentaries depend on researchers lining up interviews with subjects who are ready to film. We can move faster when you need it, but Korean permit approvals set fixed windows that no one can skip.

Do you work with international productions shooting in Korea?

That's our specialty. We bridge the gap between global productions and Korean crews, vendors, and authorities. Our team handles it all, from gear import records to setup with Korean agencies and KOFIC co-production incentive applications. Most of our clients are US, European, Japanese, and Chinese productions filming on Korean soil.

Can you work within a specific budget?

We build budgets in Korean won with line items that match how the Korean industry works. If you have a target number, we'll tell you honestly what it can buy. That might mean shifting the shooting schedule, finding other locations, or reshaping the crew. We'd rather talk straight up front than hand you a budget surprise mid-production.

What happens if permits get denied or locations fall through?

It happens, and we plan for it. Every location package includes backups, and we keep strong ties with Korean property owners and film commissions for last-minute changes. Our location managers have found same-week replacements for everything from traditional hanok shoots to modern Seoul office interiors when the original plan fell through.

On Set

Ready to Start Your Pre-Production?

We'll build a production-ready plan with detailed budgets, schedules, and permitting needs for your project.