Pitch Deck & Treatment Design

Pitch decks built for the Korean market sit where creative storytelling meets a very specific funding landscape. You may apply to KOFIC for shoot support, or submit to KOCCA for K-content development funds and the K-content cash rebates. Conversations with CJ ENM, JTBC, Studio Dragon and Netflix Korea each carry their own set of expectations. Our designers order the narrative, comparable titles, market analysis and financial projections to match how Korean commissioners and investors really read a project. At the same time, we keep the deck clear for the global co-productions partners who arrived after Parasite and stayed for Squid Game.

Each project starts with a strategy session on creative vision, audience positioning and the funding stage you are addressing. Next comes a visual design pass that draws on a library of Korea-specific reference material. That library holds Hallyu cultural anchors and location plates from Seoul, Busan, Paju and Jeju. We also build infographics around Korean broadcast slots and OTT release patterns.

We deliver decks within seventy-two hours and give rehearsal coaching for in-person pitches at the Busan Global Film Festival's Asian Project Market, Bucheon Fantastic and other regional forums. The result is a document that can carry a project from a development meeting in The DMC hub all the way to a Cannes Marché conversation, without losing its centre of gravity.

The financial pages have to convince a Korean reader. We model the budget and finance plan in Korean Won, show the 10% VAT line, and build the recoupment story around the KOFIC incentive and KOCCA development support a project can realistically claim. Where the plan involves a global co-production, we set out how spend splits across territories and how rebate timing affects cash flow. Commissioners at CJ ENM, JTBC, and Netflix Korea expect numbers that match how they greenlight, and we frame them that way.

A deck is only as strong as the team it presents. We help you package the key creatives, the production company track record, and the right local partners so investors see who actually delivers the work. That covers attaching a credible Korean line producer, naming the studios and post houses you intend to use, and showing the casting and crew approach. For inbound co-productions, we position the local service team that will carry the shoot across Seoul, Busan, Paju, and Jeju.

Delivery is built for reuse, not a single meeting. You receive editable source files plus locked PDF and presenter versions, with a Korean and an English cut where the funding round needs both. We supply a leave-behind one-pager, a financing appendix, and speaker notes tied to each slide. Everything is structured so your producer can update a number or a comparable title the night before a pitch without breaking the design, then send a clean file straight to the commissioner.