Pitch Deck & Treatment Design

Here is how this works in practice. Pitch decks built for the Korean market sit at the intersection of creative storytelling and a very specific funding landscape. Applications to KOFIC for shoot support, submissions to KOCCA for K-content development funds and the K-content cash rebate. Conversations with CJ ENM, JTBC, Studio Dragon and Netflix Korea each have their own templates of expectation. Our designers structure narrative, comparable titles, market analysis and financial projections in a sequence that mirrors how Korean commissioners and investors actually read a project, while keeping the deck legible to global co-productions partners who arrived after Parasite and stayed for Squid Game.

Here is the short of it. Each engagement begins with a strategy session covering creative vision, audience positioning and the funding stage you are addressing, followed by a visual design pass that draws on a library of Korea-specific reference material. Hallyu cultural anchors, location plates from Seoul, Busan, Paju and Jeju. Infographics built around Korean broadcast slots and OTT release patterns.

Here is the breakdown. We deliver decks within seventy-two hours and offer rehearsal coaching for in-person pitches at the Busan Global Film Festival's Asian Project Market, Bucheon Fantastic and other regional forums. The result is a document that can carry a project from a development meeting in The DMC hub through to a Cannes Marché conversation without losing its centre of gravity.