Wireless Audio Systems

Here is how this works in practice. Wireless audio in Korea sits inside a tightly covered range environment. The KCC (Korea Communications Commission) and MSIT govern the 470-698 MHz UHF band used by professional production wireless. Rental houses including NAC Image, KW Studio and Hello Pictures Korea handle Korean frequency coordination as a standard service. Our wireless packages run on Lectrosonics SRc receivers.

Here is the short of it. The rental SKU of choice across Korean drama and feature sets. With Lectrosonics SMQV and DBSM transmitters, Wisycom MCR54 receivers for high-channel-count productions, Sennheiser Digital 6000 where the mix demands it, and Audio Ltd A10 for low-profile body-pack work. Lavalier inventory leans on DPA 4060 and 4061, Sanken COS-11 and Countryman B6 for concealed wardrobe placement, with full sweat- and movement-management kit for K-drama wardrobe-heavy shoots.

Here is the breakdown. RF running on Korean locations means more than picking clean frequencies. Range scans are run at every venue before deployment. Necessary in dense urban RF environments like Gangnam, The DMC hub. The Paju and Namyangju studio complexes where multiple productions share the same band. Coordination accounts for venue-licensed wireless, broadcast outside-broadcast trucks and the steady traffic of Korean commercial range users.

Packages scale from two-channel documentary kits up to forty-plus-channel feature and drama deployments. IFB systems (Comtek, Lectrosonics IFB, Shure PSM) layered in for director and talent communication. All deployments include backup transmitters, batteries and antenna distribution. Ops are ready for productions running tricky multi-channel coverage on K-content cash rebate-eligible shoots.