SCENE 01 / WIRELESS MICROPHONE SYSTEMS
Wireless Microphone Systems
Professional wireless audio for your Korean production.
Wireless microphone systems capture audio without cables, so talent can move freely while the sound stays broadcast quality. Modern digital wireless gives steady transmission and a wide frequency range. Built-in encryption blocks interference in the busy RF spaces you find on crowded sets.
We source and set up wireless microphone systems with the frequency bands and channel counts your production needs. Our team plans the range and keeps backup units ready, so your sound department can work with confidence across many shooting locations.
Capabilities
Wireless Audio Equipment
Premium wireless systems from Lectrosonics, Wisycom, and other industry leaders.
Professional Wireless Solutions
Capabilities
Our Process
Requirements Review
We learn your channel count, range needs, and RF environment.
System Design
Our team builds the right wireless system with sound frequency planning.
Frequency Scan
We scan your locations and assign clean frequencies for steady operation.
Production Support
We give tech support, backup gear, and frequency management on your shoot.
On Location
Digital wireless mics tuned to the Korean spectrum
Wireless microphone packages in South Korea draw on a deep bench of Lectrosonics Digital, Wisycom, Sennheiser, and Zaxcom systems. Shure ULX-D and Axient Digital sit ready as common Korean rental SKUs through Sennheiser Korea, Shure Korea, and the local Lectrosonics distributor network.
Channel counts scale from a single bodypack for a documentary interview in Insadong to dozens of transmitters for ensemble drama and reality formats. Those bigger jobs run across Mokdong SBS and Yeouido KBS, with frequency planning held inside the 470 to 698 MHz band that KCC and MSIT manage. Lavalier choice follows the brief. We stock DPA 4060 and 6060 subminiature elements, Sanken COS-11D, Sennheiser MKE, and Countryman capsules for concealment under wardrobe or for open dialogue work.
Each wireless kit ships only after a location RF scan that finds clean channels around broadcast pilots and cellular carriers. The scan also accounts for any wireless video or IEM allocations running at the same time on set. We log the resulting frequency plan for the sound mixer and AD. Antenna distribution and RF cable runs are set up to hold trusted coverage across larger stages at the Namyangju Studio Tricky or Paju Studio Cube.
Remote multi-receiver positions go in when shoots need to track talent across open exteriors near the Han River or the coast at Busan. Backup transmitters and receivers travel with every package. Our team stays reachable through the shoot day to handle range changes, swap units, or grow the channel count as the cast grows.
Power and charging match Korean mains, which run at 220V at 60Hz. Every transmitter and receiver ships with conditioned cells sized for a full day, plus 220V chargers and step-down units for crews carrying 110V gear from abroad. We standardise cell types across a kit so a single charger bank serves the whole channel count. For long days on Jeju Island or in Gangwon Province, we add spare battery distribution so no body pack drops mid-take.
Our rental desk quotes wireless by the channel at daily and weekly rates in Korean Won, with the 10% VAT broken out on its own line and a reduced multiplier on weekly and full-series bookings. From our Seoul base we run same-day prep and delivery inside the city and next-day to Paju, Namyangju, and Incheon, with onward transit to Busan, Daegu, and Jeju. Inbound systems moving on ATA Carnet are received and frequency-checked against the local plan before the prep day.
FAQ
Frequently Asked Questions
What wireless systems do you recommend?
For pro narrative work, we suggest Lectrosonics Digital or Wisycom, which lead on audio quality, reliability, and spectral efficiency. Zaxcom adds transmitters that record on board. On tighter budgets, Sennheiser EW-D gives great value.
How many wireless channels can you provide?
We can give as many channels as your production needs, from a single transmitter to dozens of set channels for large cast shoots. Our frequency planning keeps every channel clear of interference.
What lavalier microphones do you stock?
We carry DPA 4060 and 6060 (subminiature), Sanken COS-11D, the Sennheiser MKE series, and Countryman lavalieres. Each one has its own traits, so we match the mic to your concealment and sound needs.
How do you handle frequency coordination?
We scan your locations to find clean frequencies, then set up every wireless system to dodge interference. This covers both your wireless mics and any other RF gear, such as wireless video or IEMs.
What about range and coverage?
Range depends on the system and the environment. We set up antenna distribution and RF cables to give steady coverage across your shooting area. For large locations, we can add many receiver positions.
Do you provide backup equipment?
Yes. We suggest and supply backup transmitters and receivers for longer shoots, since spare wireless guards your production against gear failures.
Related Services
Productions in South Korea that need this often pair it with Wireless Systems, Location Sound Packages, and Boom Microphones for full coverage. Most projects also draw on Communication Systems and Wireless Audio Systems.
On Set
Need Wireless Audio?
Tell us about your wireless requirements and we'll build the right system.