Wireless Systems

Wireless setups on a film or television set in South Korea reach far beyond microphones. They draw intercom, IFB and IEM feeds, audio hops, wireless video links, and lens control onto a single RF plan. Our team handles that plan from start to finish, beginning with an RF survey of every location on the schedule, whether the production runs through Seongsu's industrial blocks, the palaces of central Seoul, or a remote stretch of Seoraksan.

The survey finds clean range that sits well inside the bands managed by KCC and MSIT. Our inventory holds Teradek Bolt and Vaxis Storm wireless video, along with Preston FIZ, ARRI WCU-4 and Tilta Nucleus follow-focus units. A deep bench of production intercom and IFB gear lets each team fold into one clean allocation.

Once the survey is done, the team assigns frequencies team by team and logs them for the sound mixer, AD and DIT. We program the gear in advance so the first slate of the day goes off with no RF clash. The 470 to 698 MHz band carries most Korean wireless audio, and it sits beside cellular carriers and broadcast pilots in dense areas such as Gangnam and Yeouido.

We give sign-up advice for any high-power system that needs formal clearance. RF coverage is tracked across the shoot day, and antenna placement shifts as the production moves between interiors, exteriors, and large sets at Namyangju or Paju. This lets dozens of channels run at once with no trouble across multi-camera and multi-team shoots.