Audio Equipment

Audio gear rental for film shoots in South Korea comes from our Seoul-based stock. Packages are set up for location sound, broadcast interviews, and large multi-talent sets. Shoots in Seoul's busy streets — from the markets of Myeong-dong to the quieter lanes of Insadong — face their own RF and noise hurdles. We pick and frequency-plan our wireless systems to run cleanly in each one. Same-day prep and delivery reaches central Seoul and its nearby cities.

Location Sound Packages from our stock are built around Sound Devices multitrack recorders. Each one ships with all the cables, power, and media needed for a full day's shoot without resupply. Wireless Microphone Systems cover bodypack and handheld setups across many frequency bands. Our technicians run a site-by-site frequency scan before each shoot day, which keeps Korean broadcast and cellular signals from causing trouble. Our Boom Microphones include both shotgun and hypercardioid options, suited to indoor and outdoor use. Audio Monitoring packages give the sound mixer and director clear, low-latency listening. Complete Packages bundle the recorder, transmitters, receivers, and all extras for simple one-stop booking.

Our inventory pulls from the brands Korean sound departments ask for by name. Recorders run to the Sound Devices 8-series and MixPre lines and Zaxcom Deva and Maxx. Wireless covers Lectrosonics, Wisycom, Sennheiser, Shure, and Zaxcom. Microphones span Sennheiser MKH, Schoeps, and Sanken shotguns plus DPA, Sanken, and Countryman lavaliers. Monitoring draws on closed-back Sony, Sennheiser, and Beyerdynamic sets. We stock these in depth so a feature, a Hallyu music doc, and a broadcast unit can book at once.

On-set support sits behind every audio booking. We can pair the kit with skilled Korean production sound mixers and boom operators who know local acoustics. Backup transmitters, receivers, capsules, and a spare recorder travel with each package. Our team stays reachable through the shoot day to swap a unit, grow the channel count, or rework a frequency plan. This keeps the sound department working whether it sits on a stage at Paju Studio Cube or out on the East Sea coast.

Power is matched to Korean mains, which run at 220V at 60Hz. Every recorder, transmitter, and IFB ships with conditioned cells and 220V chargers, plus step-down units for crews carrying 110V gear from abroad. For remote work on Jeju Island or in Gangwon Province, we add silent battery distribution so a full day runs without resupply. Our rental desk quotes daily and weekly rates in Korean Won, with the 10% VAT shown on its own line and a reduced weekly multiplier.

Logistics run from our Seoul base. We prep and deliver same-day inside the city and next-day to Paju, Namyangju, and Incheon, with onward transit booked to Busan, Daegu, and Jeju for regional and coastal shoots. Inbound audio gear moving on ATA Carnet is received, bench-checked, and reformatted to the sound mixer's workflow before the first call sheet. Each package is logged and tested in advance, so the first slate of the day carries clean dialogue and no setup delay.