SCENE 01 / POST PRODUCTION AUDIO
Post-Production Audio
Professional sound editing, ADR, Foley, and mixing for film and TV productions.
Post-prod audio transforms raw location recordings into a polished, immersive soundtrack. With access to CJ ENM post facilities and Seoul's thriving audio post community, we connect you with engineers skilled in Korean-language ADR for Korea's worldwide acclaimed film and TV industry. This phase covers dialogue editing, ADR, sound design, Foley, music scoring, and final mixing, all working together to create the layered audio experience that supports and boosts the visual storytelling.
We connect you with post-prod audio facilities and engineers across South Korea who deliver broadcast and cinema-standard results. Our team sets up the full audio post workflow from dialogue cleanup through final mix, working with facilities including CJ ENM Studios, CJ Post, and top facilities across Seoul and Busan, making sure your project meets tech delivery needs and creative expectations.
Capabilities
Complete Audio Post Services
We provide full-service post-production audio from dialogue editing through final mix, delivering polished soundtracks that enhance your visual storytelling.
01
Dialogue Services
- Production dialogue editing
- ADR recording and direction
- Dialogue cleanup and restoration
- Lip-sync and dubbing
- Multi-language versioning
Clear Dialogue
02
Sound Design
- Creative sound design
- Ambient atmosphere creation
- Sound effects editing
- Worldizing and processing
- Signature sound development
Immersive Sound
03
Foley Services
- Foley recording stages
- Experienced Foley artists
- Custom prop libraries
- Sync and editing
- Surface and movement coverage
Physical Presence
04
Final Mix
- Theatrical and broadcast mixing
- Dolby Atmos and immersive formats
- Stem delivery
- Quality control and mastering
- Multiple version delivery
Polished Delivery
On Location
Korea's full audio post chain, from dialogue edit to final mix
Post-prod audio in Korea is delivered through a tight network of facilities clustered around The DMC hub and the studio complexes of Paju and Namyangju. We set up the full workflow — dialogue editing, ADR, sound design, Foley, premix and final mix. Through Live Tone Studio (long-credited on the films of Bong Joon-ho and Park Chan-wook), Sound Tribe Korea, Mediaslash, Tigertail Sound and CJ Powercast.
Korean-language ADR is watched by directors fluent in scripted Korean dialogue tradecraft. Foley stages are equipped for the dense surface work expected on Studio Dragon and JTBC drama deliverables. Theatrical mixes are tuned to KOFIC and CJ CGV tech specs. Broadcast mixes are mastered to KBS, MBC and SBS loudness standards with Netflix, Disney+ Korea and Tving streaming specs.
Format breadth is tied to creative drive. Stereo, 5.1 and 7.1 are routine. Dolby Atmos and immersive deliverables run out of certified Korean stages. Stem delivery follows global M&E conventions for shoots that need multi-language versioning across Korean, English, Japanese and Chinese markets. Remote session skill lets overseas directors watch ADR and final mix without travel.
Key for K-content cash rebates-eligible co-productions running on tight delivery calendars. Our team manages spotting sessions with the editor and director, organises picture-locked turnover, holds creative review at the premix stage. Ships final masters that meet the QC specs of streamers, Korean TV networks and theatrical distributors in a single set up pipeline.
Each phase is staffed by Korean specialists who know their craft. Dialogue editors clean and conform production tracks from the location mixer's reports. ADR directors guide Korean and English talent through replacement lines in sync to picture. Foley artists work dense surface and movement passes on stage. Re-recording mixers balance dialogue, effects, and music for the final print. Music editors and sound designers round out the team, so one room can carry a project from turnover to delivery.
The technical craft runs on Pro Tools HDX rooms tuned for Korean dialogue and dense effects work. Editors use spectral repair tools to lift traffic and air-conditioning noise from Seoul location tracks. Sound designers build worldized ambiences for palace, market, and Han River scenes. Stages are calibrated to theatrical and broadcast loudness so a mix travels cleanly from a Busan cinema to a streaming app. Restoration and noise work matter most on run-and-gun documentary audio captured in busy public spaces.
FAQ
Post-Production Capabilities
What post-production audio services do you provide?
We give complete post-prod audio including dialogue editing, ADR recording and direction, sound effects editing, Foley recording, sound design, premixing, and final mix. We can handle your entire audio post pipeline or give specific services as needed.
Do you have ADR recording facilities?
We set up ADR sessions at pro recording studios across South Korea. We can arrange director-supervised sessions, give ADR oversight, and handle remote talent recording. Our facilities accommodate person actors through ensemble recording.
What delivery formats do you support?
We deliver in all common formats: stereo, 5.1 surround, 7.1, and Dolby Atmos/immersive audio. We prepare theatrical prints, broadcast masters, streaming deliverables, and many versioning as needed. We know specific platform needs and QC specs.
Can you work with international productions?
Yes. We often work with global shoots filming in South Korea or needing Korean post-prod services. We give remote session skill, know different tech specs, and can set up across time zones.
Do you handle multi-language versioning?
We give multi-language audio services including dubbing planning, M&E preparation, and language version mixing. We can set up voice talent, manage translation workflows, and deliver localized audio for global distribution.
What about working with our existing post team?
We're flexible in how we integrate with your post-prod workflow. We can handle complete audio post, give specific services to supplement your existing team, or work with your preferred editors and mixers on specific aspects of the work.
Related Services
Productions in South Korea that need this often pair it with Boom Operators, Location Sound Services, and Wireless Audio Systems for full coverage. Most projects also draw on Thermal Imaging and Volumetric Capture.
On Set
Start Your Audio Post
Tell us about your project and we'll discuss how our post-production audio services can help.