Volumetric Capture

Volumetric capture in South Korea records a performance from each angle at once. The output is a photoreal 3D asset that plays back inside VR headsets, augmented reality apps, game engines, and holographic displays. Multi-camera arrays of synced RGB and depth sensors ring the talent in dedicated stages. High-resolution capture and full 360-degree coverage then feed reconstruction pipelines that output mesh sequences, point clouds, and compressed volumetric video. Korean pros like 4DREPLAY and the volumetric stages in The DMC hub have earned global names for sports highlights, K-pop performance capture, and the immersive content that CJ ENM and other major studios fund alongside the live-action K-drama pipeline.

Each project starts with a pre-production talk that covers wardrobe, motion blocking, lighting design, and the target playback sites. Solid colours and matte fabrics reconstruct cleanest, though today's systems handle more variety. Capture sessions then run on the stage with synced cameras and live tracking. Processing turns the raw data into 3D video assets, with mesh generation, texture mapping, and format conversion all tuned to the delivery need.

Korean OTT sites like Tving, Wavve, and Coupang Play now commission immersive content next to classic drama. Productions that qualify under the K-content cash rebates can count volumetric stage time as eligible spend. Our team leads handle stage booking, calibration, the tech crew, and the data pipeline through to the final deliverable.