Camera Equipment Rental

Camera gear rental in South Korea routes through a small set of trusted partners. These include ARRI Korea, NAC Image Technology, KW Studio, Hello Pictures Korea, Cinemont, and RED representation in Seoul. Our team books across those inventories to assemble the body, lens, support, and accessory stack a production needs. That stack draws on the ARRI Alexa 35, Mini LF, and Alexa Mini, the RED V-Raptor and Komodo, and the Sony Venice 2 and FX9.

FX6 broadcast bodies sit at the centre of the request list. They are backed by Cooke S4/i and S7/i sets, Zeiss Supreme Primes, ARRI Signature Primes, Angenieux Optimo zooms, and the anamorphic glass that drama features now favour. Each package goes through a logged prep at our site before delivery. We clean the sensor, calibrate the lenses, log the firmware, and condition the batteries. We also format the media to the DIT's workflow, so the first roll on day one does not absorb troubleshooting time.

Global shoots land most of their gear through Incheon Airport cargo. ATA Carnet records are processed via the Korea Chamber of Commerce and Industry. Busan port sea freight handles the heavier consolidated shipments that arrive ahead of a multi-week schedule. From our Seoul base, delivery runs same-day within the city and next-day to Suwon, Paju, and Namyangju. We also set up transit to Busan, Daegu, and Jeju for shoots working those areas.

Camera technicians and DITs can be added to the booking. A production might need prep support at The DMC hub, or on-set help during night work on Lotte World Tower exteriors and subway access at Songpa station. Emergency replacement and cross-rental from partner houses run through the same team. This matters when an Alexa Mini LF goes down on day three of a six-day Pyeongchang snow shoot.