Camera Equipment Rental

Here is how this works in practice. Camera gear rental in South Korea routes through a small set of trusted partners. ARRI Korea, NAC Image Technology, KW Studio, Hello Pictures Korea, Cinemont. RED representation in Seoul — and our team books across those inventories to assemble the body, lens, support, and accessory stack a production actually needs. ARRI Alexa 35, Mini LF, Alexa Mini, RED V-Raptor and Komodo, Sony Venice 2, FX9.

Here is the short of it. FX6 broadcast bodies sit at the centre of the request list, supported by Cooke S4/i and S7/i sets, Zeiss Supreme Primes, ARRI Signature Primes, Angenieux Optimo zooms. The anamorphic glass that drama features increasingly favour. Every package goes through a documented prep at our site before delivery, with sensor cleaning, lens calibration, firmware logged, batteries conditioned. Media formatted to the DIT's workflow so the first roll on day one does not absorb troubleshooting time.

Here is the breakdown. Global productions land most of their gear through Incheon Airport cargo. ATA Carnet records processed via the Korea Chamber of Commerce and Industry; Busan port sea freight handles the heavier consolidated shipments that arrive ahead of a multi-week schedule. Delivery cycles from our Seoul base run same-day within the city, next-day to Suwon, Paju. Namyangju, and set up transit to Busan, Daegu, and Jeju for productions working those territories.

Camera technicians and DITs can be added to the booking when a production needs prep support at The DMC hub or on-set help during night work on Lotte World Tower exteriors or subway access at Songpa station. Emergency replacement and cross-rental from partner houses runs through the same team. This matters when an Alexa Mini LF goes down on day three of a six-day Pyeongchang snow shoot.