SCENE 01 / LENS KITS
Cinema Lens Kits
Professional cinema glass for your Korean production.
Lens kits bring together curated sets of prime or zoom lenses that cover the focal range a production needs. Pro cinema lenses give precise focus control, steady color rendering, and the optical traits that define a project's visual texture and depth.
We set up lens kit rentals matched to your cinematographer's preferences and your camera system's mount. Our team works with local rental houses to assemble complete lens packages, arranging prep time for testing and making sure backup options are ready if needed.
Capabilities
Lens Inventory
Premium cinema lenses from the world's leading manufacturers.
Professional Lens Solutions
Capabilities
Our Process
Project Discussion
Knowing your creative vision, camera format, and the look you want to achieve.
Lens Selection
Recommending lens packages based on your visual way, budget, and tech needs.
Prep & Testing
Complete lens prep including cleaning, testing, and matching with your camera system.
Production Support
Tech support, lens swaps, and extra glass ready across your shoot.
On Location
Curated cinema glass for productions shooting in Korea
Cinema lens kits assembled out of our Seoul inventory cover the focal ranges and rendering traits that most narrative, commercial. Doc shoots request when shooting in South Korea. Full sets of Zeiss Master Primes, Supreme Primes, ARRI Signature Primes, Cooke S4/i. S7/i ship with the standard 18mm through 135mm spread, with wider 12mm and longer 180mm or 300mm options drawn in via cross-rental from ARRI Korea, Cooke Optics Korea representation.
The partner houses concentrated around The DMC hub. Large-format coverage is tied to ARRI Alexa LF, Mini LF, and Sony Venice 2 bodies the production has already booked. Full-frame versus Super 35 mount configurations are confirmed during prep so the focus puller arrives on day one with calibrated witness marks already on the lens barrels.
Anamorphic and specialty glass receive specific attention on Korean shoots, where the influence of Park Chan-wook, Bong Joon-ho. Hwang Dong-hyuk has set audience expectations for textured, character-rich images even on commercial work. ARRI Master Anamorphics, Cooke Anamorphic/i, and rehoused vintage sets. Cooke Speed Panchros and selected Zeiss B-speeds — are sourced through the same partner network, with prep time built into the schedule for the cinematographer and focus team to test flare traits, breathing.
Close-focus behaviour at the studio in Paju or Namyangju. Cinema zooms from Angenieux Optimo, ARRI Alura, Fujinon Cabrio. Cooke cover the run-and-gun and broadcast-format shoots working out of KBS Yeouido or SBS Mokdong. Lens motors, wireless follow focus, lens data cables. The protective transit cases that move glass through Incheon Airport cargo or onto domestic flights to Jeju are had in each package.
Our rental desk keeps backup glass ready for the focal lengths a shoot leans on hardest. If a barrel takes a knock on a Han River night shoot or a lens motor fails mid-take in a Bukchon hanok interior, a tested swap reaches the unit fast. Every lens is collimated and projector-checked on return, and focus marks are reset between bookings. Charged motors, spare lens data cables, and an on-call camera technician travel with multi-camera drama builds so the lens department never waits.
Lens motors, wireless follow focus units, and chargers we supply are set for Korean 220V, 60Hz mains, with the right adapters for visiting kit. We quote lens packages in Korean Won with the 10 percent VAT shown plainly, and weekly rates tuned to the long schedules that K-content series run. Inbound glass cleared at Incheon under ATA Carnet is matched to the booked package in prep, and qualifying foreign productions can fold lens rental into a KOFIC incentive claim with our team handling the records.
FAQ
Frequently Asked Questions
What prime lens sets do you stock?
We carry full sets of Zeiss Master Primes, Supreme Primes, Cooke S4/i and S7/i, ARRI Signature Primes, and more. Sets mostly have focal lengths from 18mm to 135mm, with wider and longer options ready.
Do you have large format lenses?
Yes, we stock full-frame lenses including ARRI Signature Primes, Cooke S7/i, and Zeiss Supreme Primes for cameras like the ARRI Alexa LF and Sony Venice. These lenses give the coverage needed for large format sensors.
What anamorphic options are available?
We give anamorphic lenses including ARRI Master Anamorphic, Cooke Anamorphic/i, and many vintage anamorphic options. Anamorphics give the distinctive widescreen look and flare traits many shoots desire.
Can you provide zoom lenses?
Yes, we stock cinema zooms from ARRI Alura, Fujinon Cabrio, Angenieux Optimo, and Cooke. Zooms are ready in both full-frame and Super 35 coverage for many applications.
Do you offer vintage lenses?
Yes, we have curated selections of vintage glass including rehoused Cooke Speed Panchros, vintage Zeiss, and other classic lenses that give unique character and softer rendering.
What lens accessories do you include?
Lens rentals have protective cases, front and rear caps, and lens data cables where applicable. We can also give follow focus systems, lens motors, and wireless lens control matched to your package.
Related Services
Productions in South Korea that need this often pair it with Lens Filters, Camera Equipment Rental, and Camera Support Systems for full coverage. Most projects also draw on HMI & Tungsten Lights and Foley Recording Services.
On Set
Need Cinema Lenses?
Tell us about your project and we'll recommend the right glass.