Post-Production & Editing Services Korea

The editing team consists of Premiere Pro and Avid editors who bring their expertise in commercial and documentary and feature film editing to work on projects from start to finish.

The editorial process includes director notes and revision rounds and locked timelines which are prepared for finishing in Korean and international formats.

The editing process combines interview recordings with B-roll footage and scripted content through storytelling methods to create engaging content which appeals to Korean television viewers and users of worldwide streaming platforms.

The editing process requires editors to merge footage from K-pop concerts and panel discussions and live events into individual edited sequences.

The process involves editing three elements from extensive interview recordings which include Korean and English content: Trimmed pauses and Jump cut smoothing and Selective editing of interview segments.

The team needed to match video clips through maintaining equal brightness levels and white color points because the recorded footage originated from different lighting environments and multiple cameras at various Korean production sites.

The colorists at DaVinci Resolve and Baselight use film-emulation and commercial brightness to create cinematic looks which they distribute to both Korean and international markets.

The last stage of VFX integration required automated QC checks which confirmed that the content fulfilled broadcast requirements for Korean networks and streaming standards of international platforms.

The production team uses pre-production LUTs and style references to show the final appearance on on-set monitors during Korean production.

The artists who work with After Effects and Cinema 4D create lower thirds and animated sequences and infographics which get distributed through Korean broadcast and digital platforms.

The compositors at Nuke and Fusion processed Korean live-action footage through green screen element combination with set extensions and invisible effects.

The artists at Maya and Houdini create photorealistic environments and character animations and product visualizations which serve both commercial and film production needs.

Main titles, end crawls, and integrated credit sequences matching your project's tone and brand guidelines for Korean and international markets.

The artist used Photoshop together with 3D environment creation to transform live-action Korean footage into digital environments and extended sets and sky replacements.

The artist created individual hand-drawn mattes for each frame to process complex composites and remove actors and extract elements from Korean production footage.

Creating sonic atmospheres, impacts, and textures that support your story's emotional beats and pacing for Korean and international audiences.

Seoul Foley stages the recording of footsteps and cloth movements and prop handling which exactly follows the events shown on screen.

The production team performed audio cleanup work and dialogue replacement and Korean/English lip-sync recording at their professional ADR facilities which operated from Seoul.

The company provides original music compositions from Korean composers together with library music supervision and sync licensing services for both domestic and international markets.

The mixing process for Pro Tools occurs on Dolby-certified Seoul stages which use broadcast-compliant loudness metering to produce content for both Korean and international markets.

The system supports Dolby Atmos mixing which enables users to create 5.1 and 7.1 audio formats for theatrical and streaming and broadcast distribution with exact control over object and bed positions.

iZotope and Cedar processing removing hum, wind, traffic, and production noise from Korean location recordings.

The company provides Digital Cinema Packages which include encryption and KDMs for both Korean and international markets to distribute content through theaters. The company tests these packages on theater servers before they reach their final destination.

The system fulfills all requirements from KBS and MBC and SBS while following EBU R128 international standards and Korean broadcast specifications through its complete QC reporting system for both domestic and international markets.

Netflix, Amazon, Disney+, and Apple TV+ deliverables meeting each platform's unique technical requirements for Korean and international release.

The facility operates LTO tape archives which perform backups with checksums and preservation masters to maintain Korean production materials for an extended period.

The system performs transcoding operations between ProRes and DNxHD and H.264/265 and legacy formats while it handles frame rate and resolution changes for delivering content to both Korean and international markets.