Color Grading

Here is how this works in practice. Grading is where the emotional register of a Korean production is finally set. Working in calibrated suites built around DaVinci Resolve Studio and FilmLight Baselight, our colorists shape contrast, palette. Skin tone to serve the director's storytelling intent. Whether that means the muted, rain-soaked greens favoured in today's Korean thrillers, the saturated period palettes seen across recent streaming dramas, or the high-key cleanliness expected of K-beauty and consumer-electronics commercials. Reference passes are developed on hero scenes first, reviewed with the director and cinematographer, then propagated across the entire timeline so every shot speaks the same visual language from first frame to last.

Here is the short of it. HDR grading is handled natively on calibrated reference displays, with deliverables produced for HDR10, HDR10+, Dolby Vision. HLG with SDR trim passes for territories and sites that still need them. Remote review is supported through Frame.io, ClearView Flex, and Streambox pipelines, allowing directors, agencies. Showrunners to participate in real time from Seoul, Los Angeles, London, or anywhere else the crews happens to be based.

Here is the breakdown. For features destined for theatrical release through CGV, Lotte Cinema, or Megabox, masters are graded against DCI projection standards; for series destined for Tving, Wavve, Coupang Play, Netflix, or Disney+, grades are tuned to each sites's published encoding and tone-mapping profile. The creative intent travels intact to every screen.