Pre-Production Services

The team needs to modify international scripts for Korean viewers by creating original content which uses Korean or English or bilingual dialogue to serve both domestic and international audiences.

The team provides scene-by-scene feedback which detects pacing problems and structural weaknesses and dialogue issues before production expenses grow during extra filming days.

The production team should create frame-by-frame visual plans which determine camera locations and actor positions and special effects needs before spending production funds at Korean filming sites.

The process requires developers to create story direction and visual style and narrative structure which will attract both Korean and international viewers.

The artist will maintain all visual components and storytelling elements from the initial look development stage until project completion while he will make adjustments to follow Korean design rules and international design principles.

The production team should use reference images and color palettes and style frames to establish visual direction before starting work because these elements need to be suitable for Korean film production settings.

The presentation materials for investors include loglines together with budget information and cast attachments and visual treatment elements which follow the requirements of Korean studios and broadcasters and international funding organizations.

Access to Korean actors, K-drama talent, bilingual performers, models, and background extras through our network of Seoul and regional casting directors with connections to major agencies.

The studio provides Native Korean voice talent who performs narration and dubbing and ADR work from Seoul recording studios with the option to direct remote sessions for international productions.

The team handles all logistical aspects including call time management and transportation organization and costume measurement sessions and on-set scheduling to enable your Korean and international actors to concentrate on their performances.

The process of working with Korean performers requires knowledge about their contracts and agency agreements and international co-production talent arrangements while following the specific rules of the local entertainment industry.

Finding traditional hanok villages, modern Seoul architecture, Busan's coastal areas, and Jeju's volcanic landscapes with detailed photo reports and access confirmation for each site.

The team handles all on-site activities which include maintaining owner relationships and handling neighbor interactions and parking management and power distribution needs and crowd management during Korean film productions.

Your team can dedicate their time to creative work because we handle all paperwork requirements with Seoul Film Commission and KOFIC and local district offices and private property owners.

The production team needs to conduct technical site assessments to determine power supply conditions and wire placement and solar radiation patterns and sound disturbance issues at their chosen Korean production sites.

The company needs equipment coverage and liability protection and E&O policies which meet the requirements of Korean location owners and international distributors and co-production partners.

The process requires creating line-item budgets in Korean won through Movie Magic and Excel formats which must include local labor costs and KOFIC incentives and currency exchange rates.

The following estimates help you select between Seoul and Busan and Gyeonggi-do and other regional areas for your commercial or documentary or feature production requirements.

The stripboard operation scheduling system needs to determine actor availability and their location access points and time periods which coincide with Korean national holidays and seasonal weather patterns that impact filming locations.

The production team receives daily crew calls which include location addresses and weather information and emergency contact details in both Korean and English before starting their workday.

The system allows users to monitor their daily budget which protects Korean production schedules from unexpected problems and prevents cost increases.

Our network of Korean film professionals enables access to vetted DPs and gaffers and sound mixers and department heads who work throughout Seoul and Busan and other regional production areas.

The company needs staff who can handle problems directly from the field while knowing how Korean businesses operate and following all necessary laws and who will maintain manufacturing operations during unexpected challenges.

The team needs help with arranging flights and hotels and ground transportation and visa documentation for international crew members who will film in South Korea.

The team handles camera and grip and lighting package rentals through Korean rental houses which offer crewed equipment solutions for productions that require technical assistance.

The production team needs to serve on-set food which fulfills dietary requirements and follows Korean workplace regulations and supports continuous operations during remote production filming.

The team handles three types of agreements which include employment contracts for drafting crew members and talent agreements and vendor deals that fulfill both Korean labor regulations and worldwide production guidelines.

The company needs to create on-camera appearance releases and likeness rights documentation and data handling agreements which follow Korean privacy regulations and allow global distribution.

The company needs to establish access terms which protect Korean property owners and local authorities through agreements that define security deposit requirements and usage limitations and damage responsibility clauses.

The process requires authorization for music licensing and archival video and trademark permission to distribute content across broadcast networks and streaming services and theatrical screenings in Korea and international markets.

The development of risk assessments and on-set safety protocols for stunt work and special effects and difficult filming locations required my collaboration with Korean safety authorities.