Wireless Video Systems

Wireless video on shoots in South Korea has to work in one of the densest RF settings in Asia. KCC and MSIT manage broadcast and cellular bands that stack up across Seoul, Busan, and Incheon. Our rental desk plans every link against that crowded spectrum, so feeds stay clean in city cores and on packed studio lots alike.

Our stock runs to more than fifty Teradek Bolt and Vaxis Storm transmitter and receiver pairs. Each pair is set up to give zero-latency, multi-receiver feeds for video village work. That holds whether the camera moves through the markets of Myeong-dong, rides a crane over the Han River, or pulls a long lens along the open coast near Jeju. Every unit is range-tested and frequency-scanned before it leaves our Seoul site. Teradek Bolt 4K systems handle up to six receivers at once, so they anchor most multi-monitor shoots.

We plan frequencies ahead of each shoot day. The team scans every location and picks channels that sit clean against local broadcast pilots, cellular carriers, and any wireless mic or lens-control RF running on set. On the Teradek Bolt 4K, line-of-sight ranges of up to fifteen hundred feet are standard.

Compatibility is checked before any kit ships. Our transmitters take both SDI and HDMI from ARRI Alexa Mini, Sony Venice, and RED Raptor and Komodo bodies, and feed any monitor in your village. Each receiver carries fresh batteries plus a charged spare, and 220V mains chargers suit Korean power. Imported rigs arriving on an ATA Carnet are matched to our cabling and frame rates, so a foreign DP's package drops into a Korean village without a hitch.

Backup is built into every booking. Spare transmitter and receiver pairs ride with each package, and our technicians stay reachable around the clock to swap a faulted unit mid-take. Extended-range antennae stay ready for shoots on the Namyangju Studio Tricky backlots or on remote ground at Bukhansan and Seoraksan. Full video village options cover the transmitter, receivers, monitors, distribution, and cabling, so directors and clients keep a live feed all day long.

Pricing is quoted in Korean Won with 10% VAT shown on every line. Daily, weekly, and run-of-show rates reward longer bookings, and extra receivers, antennae, and operator time are costed clearly up front. Production insurance is required and can be arranged through us or your own broker. For qualifying foreign productions, we format rental records to support KOFIC incentive and cash rebate claims, keeping monitoring spend documented from prep through wrap.