Delivery & Output

Productions finished in South Korea — whether shot in Seoul, Busan, Daegu, or on the island of Jeju — need delivery packages that meet several standards at once. These cover global TV networks, streaming services, and theatrical distributors. Our delivery team handles each format need and builds compliant output files. We check each package against the destination's published specs before any material is sent out. Clients get clear status updates through the process, plus a final QC report with each completed delivery.

Our multi-platform delivery service covers broadcast formats for both Korean domestic channels and global networks. Streaming masters are built to the spec needs of major on-demand platforms. Secure Transfer protocols protect all content in transit, with encrypted upload pipelines and verified receipt at each handover point. For shoots bound for cinema release, our DCP creation service makes compliant packages checked against SMPTE standards. Global Standards compliance covers HDR, Dolby Vision, and IMF packaging where needed. Our technical team manages it and liaises with the receiving platform to confirm acceptance before any deadline.

Korean broadcasters each set their own delivery sheet. KBS, MBC, SBS, and JTBC all publish required codecs, loudness targets, file naming, and metadata fields. We map every finished master to the matching sheet before output. Our team builds the broadcast file, checks audio levels against the channel's loudness rule, and confirms the timecode and slate layout. This stops late rejections that would put a fixed air date at risk.

Final output runs through facilities clustered around Digital Media City in Seoul and the post houses near Yeouido. Our delivery editors work in Avid Media Composer, Adobe Premiere Pro, and DaVinci Resolve, matched to the route the project already took through finishing. From those suites we package broadcast files, OTT masters, IMF deliveries, and DCP sets. Keeping output close to the colour and sound stages cuts handoff errors and keeps the technical chain intact.

Quality control sits at the centre of every delivery. Our team runs automated checks for video levels, audio loudness, and file structure, then adds a human eye-watch pass on the full programme. We flag dropped frames, sync drift, caption errors, and metadata gaps before any file leaves the building. Each delivery ships with a QC report that records what was checked. That record gives the receiving platform and the client one trusted reference.

Long-term archival closes the delivery cycle. After release, masters, supplementals, and project files need safe, traceable storage for re-versioning and rights extensions. We build archival packages with consistent naming, full metadata, and checksums for each element. Productions can recover a clean source years later for a new market, a remaster, or a platform refresh. Pricing is quoted in Korean Won, with the standard 10% VAT applied to delivery and archival work.