Scriptwriter Services

Korean screenwriting now sets the global standard for serialised genre drama and tonal genre-blending. That strength runs from the writers' rooms at Studio Dragon and KBS Drama Studios to the feature scene that made Parasite and Squid Game. The wider body of Korean cinema drives Cannes and Busan year on year. Our network reaches into the Korean writers' association and the staff and freelance writers moving through tvN and JTBC.

We also tap Netflix-first development slates and the independent feature scene around the Busan Global Film Festival. Writers are matched against proven credits in the right format, including K-drama 16-episode structures, feature screenplays, short-form streaming, branded content, and ad scripts. We weigh those credits against tonal cues sent over by the production. Each pick is screened for craft, format skill, and on-time delivery. Our writers are just as happy building first material, adapting webtoons and novels, or running a polish pass on an existing draft.

Global co-productions are backed by Korean-English writers who hold both languages natively or fluently. They can run a writers' room with foreign showrunners, network heads, or streaming commissioners. These writers know the cultural texture that Western writers tend to miss, such as Confucian family ties, chaebol hierarchy, and military service stories. They also catch the daily rhythms of Seoul neighbourhoods from Gangnam to Hongdae to Itaewon.

Our writers can also advise on localisation and dialogue authenticity, including which story beats land for Korean audiences versus global viewers. Productions filming under the K-content cash rebates or routed through KOFIC incentives gain from writers who know the forms and credit rules those schemes need. Engagements run from a single staff writer or script consultant all the way to entire writing teams with showrunner-level leads, story editors, and bilingual translator-adaptors.